Marilyn's Mystery Reads

The latest entry in the Molly Murphy series, Silent as the Grave, gives its readers not only an excellent mystery but a close look into the beginning of the motion picture industry in New York City.  The book is set in 1909, and we enter the Biograph Studio of D. W. Griffith along with Molly to learn how magical the making of movies is to those outside the new industry.

Before she married Detective Daniel Sullivan of the New York City Police Department (of which my own father was a captain many years after this novel takes place), Molly ran her own investigative agency.  Now the mother of two young children she no longer has that business, but crime still seems to follow her.

When her friend Ryan O’Hare comes to the States for a visit, Molly learns that the celebrated playwright is interested in the new medium of silent movies.  He has written a screenplay for Griffith, and the movie is being filmed not far from the Sullivans’ home.  Since it’s school vacation week, Molly takes her daughter Bridie to the Biograph location to view the production, and Bridie, to her unutterable delight, is given a small part in the film.

The studio is financed by identical twin brothers, Harry and Arthur Martin.  Harry has just become engaged to Fanny Prince, whose late husband was an inventor involved with his father in the creation of the first motion picture camera.  Sadly, both men died in accidents, but Fanny is still interested in films.

Accidents have plagued Biograph since production began, and Molly is witness to one as she watches a scene being filmed–a huge lamp falls into the water tank, narrowly missing the future star Mary Pickford.  There always seems to be a rational explanation of the causes, but Griffith is furious.  “I’ve had enough of accidents in this studio,” he bellows to the crew.  “I’ll fire the next person who doesn’t do his job properly.”  Nevertheless, the incidents continue, including one that comes close to taking Bridie’s life.

Equally as interesting as the plot is the way the authors, who are mother and daughter, seamlessly weave the history of the beginning of motion pictures into the story.  I learned several details about this history in the book including that at the very beginning, there was no script for the actors to follow; the names of the cast and crew, as well as the screenwriter, didn’t appear in any credits; even though the films were “silents,” actors had to face the camera so the audience could read their lips as well as read the dialogue and narrative text on what were called “inter-titles” or cards with the words that the actors were saying on them; Thomas Edison and Griffith were locked in a series of bitter off-and-on battles over the new industry’s technology.  The idea of Technicolor films with voices that could be heard by theater audiences was barely a dream.

Molly is a wonderful character, as is the supporting cast of her husband Daniel, their three children, and her close friends Gus and Sid.   And the casual disregard of women in the new industry and the lack of recognition of their abilities strike an all-too-familiar chord even today.

You can read more about Rhys Bowen and Clare Broyles at their respective websites:   https://rhysbowen.com/ and https://www.clarebroyles.com/.

Check out the complete Marilyn’s Mystery Reads at her website.  In addition to book review posts, there are sections featuring Golden Oldies, Past Masters and Mistresses, and an About Marilyn column that features her opinions about everything to do with mystery novels.

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